Tuesday, 16 March 2010

Exploration

Sally, who is a stock librarian, asked me to do a list of book suggestions to be printed up and posted in the library for readers. I dashed off a varied list that won't give me entry to the house of literary sages but it did make me wonder at how opera is so much more shackled by prejudice (benign or otherwise) when it comes to what people will venture out to see and hear. OHP, of course, has a better record than many in this regard - we have persuaded thousands of people to extend their operatic tastes, but even we meet entrenched resistance with some parts of the repertoire and no matter how good you tell somebody an opera is, they will dig their heels in and refuse to give it a try. 'Better the devil you know' would seem to be the principle criteria.

Music is unique in this regard which is odd since it is the art form with the most infinite possibilities. People who happily read new book after new book, see play after play, watch latest movie after latest movie will restrict themselves to the narrowest repertoire of opera (you know the form) and even when they do explore the edges, there will often be other rules of engagement - in my experience the rarity stands a better chance if it is Italian. And offering it cheaper only makes a partial contribution to improving that situation. I have mountains of statistics to back this up by the way so don't argue with me.

I'm not complaining that people flock to what they know - it means we can safely programme the bulk of our season. Our many years of work mean that we can also safely (almost) programme some rarities that others would consider potential disaster. But I do wish that unknown, but good operas (and I'm not talking about contemporary opera although some of those do quite well relatively speaking) would be greeted with the same universal excitement as a new Andrew Lloyd Webber musical. I will leave the reader to luxuriate in the irony of that last remark.

The build is ahead of schedule and the mezzanine part of the construction has been moved forward a week. At this rate we will have so much time for the finishing touches (vital!) that we will be able to hand polish the gravel.

Monday, 15 March 2010

Climate control

I seem to be on a trawl through American literature at the moment (Of Mice and Men, To kill a mockingbird, Confederacy of Dunces, No Country for old Men etc.) and virtually all wallow in the climate of their settings which, apropos of nothing else in particular except that sun and warmth figure prominently, increases the anxieties for the summer ahead. I need to start reading books that celebrate the cold and rain. La Wally in 2011 features an avalanche so it is possible I will welcome a chill north wind come July next year.

There can't be too many opera managers who worry and fret about the weather as much as we do. The concerns for our artistic output do battle with those for the output of Gulfstream and if you believe half of what you read, that is about to head south, leaving us in the grip of an iceage. This past winter has been a rehearsal for such an event so it is lovely to report that my Earls Court cafe seat is bathed in genuinely warm sunshine this morning.

Tomorrow the office decamp to a local hostelry for our now annual away day where everybody gets a chance to contribute to strategic planning for the coming two years or so. If the weather holds it will be pleasant since the hostelry meeting room overlooks the river Thames and Hammersmith Bridge. OK, it isn't Kowloon or Sydney Harbour but it beats the Library roof hands down.

Sunday, 14 March 2010

Warmth

Had to post a short news item;
'Warm air in Fulham shock'
Off for walk up the Kings Road. Apparently Sally's moisturiser can only be found in a boutique in Sloane Square.

Rockopera

I had a thoroughly blokey afternoon in the pub where I met up with a few pals after the Chelsea match. The conversation soon turned to opera.
One of those present is a big rock/metal fan and I was soon holding forth on my theory that opera can be a lot like Judas Priest. I believe this fellow would hear much to admire in Wagner or even Verdi. Indeed I have always felt that growing up listening to the grand episodic music of Yes and Genesis gave me a facility for appreciating opera (where George Duke and jazz fits in I am not so sure). Anyway by the end of the afternoon we had arranged a West London heavy metal chapter trip to the opera to test my theory. A common refrain from those who feel unable to confess a curiosity is that their wife or girlfriend would love it so they will suffer the hardship on their behalf. Regardless I had done my bit (a daily target) to spread the word.

Saturday, 13 March 2010

Calm

I have deleted the Villazon post; I'm not a critic..

I have the latest variant/mutant retroinfluenzavirus etc that Fiora has made firm friends with at nursery. She invites them over without asking; they arrive about once a fortnight and enjoy coming here, turning up in Bermuda shorts and sunglasses and making themselves very much at home. Fiora (who is asleep in the new gum boots she refuses to remove)merely has a runny nose for an hour but I appear to encourage greater aggression and bring out the worst in them. They in turn bring out the worst in me (ears, nose, cough etc). I think I would prefer the hangover.

It was a good week for the build. Monday, weather permitting, will see the fabric unfurled and readied for hoisting into position. Once the sky is blotted out the creation of the theatre can begin in earnest and I am only worried by the fact everything seems to be going well. People like us are not at our best when things are going well - it's a little perverse I agree but that is just the way it is. I might invent a problem tomorrow (come to think of it I haven't yet dealt with Tarzan's security hut?)

Friends are booking thousands of tickets but I will not have the clear picture for a little while. The Friends, at all levels, are being terribly generous and supportive at the moment; our membership is well up, donations are growing, our lecture series could have been sold twice or even three times over and the annual 'Prelude' concert is almost at its limit. To top it all the new production syndicate has been very popular at our first attempt. All very humbling really and our gratitude is endless.